419 results where found for «Go Tell It to the Rain»


El bimbó

Music piece by:
Georgie Dann
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
« I have a story about 'El bimbó', a song that shaped us in those difficult moments in Colonia Dignidad. It was a song with a tropical rhythm that was very trendy in the 1970s. It was played every day on the radio. Also on Eurovision, in European festivals, and on the TV programme 300 Million. »
[...]
« letting yourself go to the swing »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« Many of our fellow prisoners had already been transferred to the Santiago Public Prison, others to their towns and villages to be tried locally, while a few were released and the women, who were held in the same conditions in the pool area, were transferred to a section of the Stadium stands. They waited, like the rest of us, for the loudspeakers to inform us about our future situation. »
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Captive Quena (Quena cautiva)

Music piece by:
Claudio Durán Pardo
Testimony by:
Claudio Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
« Panpipes, charangos and quenas went from being from the 'sonorous trinity' into the void of oblivion, prohibited for being subversive. »
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After the War (Después de la guerra)

Music piece by:
Sandro
Testimony by:
Nelly Andrade Alcaino
« The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
[...]
« Then we thought of the song "Libre" ("Free", popularised by Nino Bravo), which the group also vetoed: we were locked in the room day and night, allowed out only a couple of times a day to go to the bathroom. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« The situation outside the prison was variable, from good to more or less, from more or less to bad, from bad to worse, and also from really good to bad. Conversely, in those sad years, it was all very difficult unless you belonged to the other side. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« Despite the shortcomings and the actual fact of being in prison, movement was gushing from everywhere: courses, crafts, sports, debates, chess, theatre, literature, songs… life was throbbing after we’d lived through the worst nightmares. To go back to them was always a possibility, so much so that some of us did have to go back to the torture centres of the DINA. »
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Las mañanitas

Music piece by:
Manuel M. Ponce
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« To every comrade who had a birthday, we would sing 'Las mañanitas' and we would give them presents. The majority of the female prisoners would come together and sing to you. I spent one birthday in prison. Birthdays were important for everyone because we were alive. Because you have a birthday when you’re alive. »
[...]
« I didn’t experience it as someone who joins a choir, but as a space for encounters, dialogue and de-stressing, as a chance to say something that would be heard. For me it was never 'right, let’s go to the singing workshop'. »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« Aimless strolls (caminatas sin destino): Nothing was more characteristic of life in the detention camps and jails than people who strolled alone or with another person in the corridors, halls, prison yard or in a cell. No observer could suppress a smirk upon watching the incongruous bustle to nowhere, changing direction upon nearing a wall or a barbed-wire fence. This ritual encouraged interpersonal relationships. We didn't go to the movies with a friend. Instead, we would take an aimless stroll to nowhere, which was also the safest 'place' for sharing information and to unleash the imagination without the risk of being overheard by some snoop. »
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Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
« They said that once you got to the prison of Teja Island, you were safe. »
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